Error and the Growth of Experimental Knowledge Art forms This work also draws on

This work also draws on Proust's and Camus's literature as well as Beckett's dramaturgy

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Error and the Growth of Experimental Knowledge Art forms This work also draws onWe may learn from our mistakes, but Deborah Mayo argues that, where experimental knowledge is concerned, we haven't begun to learn enough. Error and the Growth of Experimental Knowledge launches a vigorous critique of the subjective Bayesian view of statistical inference, and proposes Mayo's own error statistical approach as a more robust framework for the epistemology of experiment. Mayo genuinely addresses the needs of researchers who work with